Emania Vol.18
Bulletin of the Navan Research Group
Focus on Navan (2000)
Emania is the premier interdisciplinary journal publishing original research on Ireland’s Celtic past. The main focus of the journal is on the Ulster Cycle of tales, the ancient ‘Royal Sites’ of Ireland and the archaeology and environment of Ireland in the period from the Late Bronze Age until the Early Medieval period.
(Please see below for full list of contents)
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Emania Vol.19, 2002
Bulletin of the Navan Research Group
Focus on Navan
Emania is the premier interdisciplinary journal publishing original research on Ireland’s Celtic past. The main focus of the journal is on the Ulster Cycle of tales, the ancient ‘Royal Sites’ of Ireland and the archaeology and environment of Ireland in the period from the Late Bronze Age until the Early Medieval period.
(Please see below for full list of contents)
Letters Relating to the Antiquities of the County of Roscommon Containing Information Collected During the Progress of the Ordnance Survey in 1837, edited with an introduction by Michael Herity MRIA.
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“Dear holy cleric,’ they said, ‘these old warriors tell you no more than a third of their stories, because their memories are faulty. Have these stories written down on poets’ tablets in refined language, so that the hearing of them will provide entertainment for the lords and commons of later times.’ The angels then left them.”
‘A fascinating overview of the wolf in Ireland through the ages. Hickey redresses the demonization of this iconic animal.’ – Ciaran Mc Mahon, Team leader, Dublin zoo
Kieran Hickey is a lecturer in the Department of Geography, NUI Galway. He is the author of Deluge: Ireland’s weather disasters, 2009–2010 (Open Air, 2010).
This volume contains the proceedings of a recent Edinburgh conference at which scholars discussed the intersection of Scottish and Irish politics and culture in the later Middle Ages. It was a world epitomized by the neglected figure of the galloglass and several of the papers explore the role of these West Highland dynasties and their rapid proliferation throughout Ireland from the late thirteenth century onwards, but the volume also examines the high politics of Scottish royal involvement in Ireland, and the common culture of Gaeldom, particularly as manifested in the corpus of surviving bardic verse.
Contributors include: Steve Boardman, David Caldwell, Alison Cathcart, Seán Duffy, David Edwards, Wilson McLeod, Kenneth Nicholls, Alasdair Ross, Katharine Simms, and Alex Woolf.
Centenary in Reflection 2016 Anthology is a momentous is snapshot of global and local history and culture; a space created to review times past, voiced by writers and students locally and internationally.
Provocative words on two world wars, emigration, and reminiscences about ‘how we once lived’ are contained within these pages. The story of how, as a nation re-birthed through the 1916 rebellion, it is that event and the fundamental truths proclaimed in the Proclamation of the Republic that haunts the psyche of our imagination, informing our views about the needs of the present as we rise to the challenges that lie ahead.
‘The Irish Republic is entitled to and hereby claims the allegiance of the Irishman and Irishwoman. The Republic guarantees religious and civil liberty, equal rights and equal opportunities to all its citizens.’
Let the story begin.
SiarScéal is an annual festival that celebrates the history and culture of the Roscommon environs, through all art forms and media and with the participation of communities and schools. The Festival also hosts the international Hanna Greally Literary Awards.
A wide range of authors describe, analyse, interpret and re-interpret parts of the complex understudied, and at times misunderstood, archive of eight thousand years of Co. Sligo’s past.
Drawing on new and exciting knowledge about what Sligo looked like at times in the remote past, the events which changed lifestyles and the products of humble and status craftsmen the authors give us a greater understanding of our county and its place in Ireland’s past and present and they inform us of some inspired intellectual and artistic giants of more recent centuries.
The illustrations draw us out into the Sligo landscape, so richly endowed with the natural beauty, archaeology and history that surrounds us all the days of our lives.
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Contents
Waddell, John: Equine cults and Celtic goddesses, 5-18.
Hicks, Ronald: The rout of Ailill and Medbh: myth on the landscape, 19-34.
Fenwick, Joe: The late prehistoric ‘Royal Site’ of Rathcroghan, Co. Roscommon: an enduring paradigm of enclosed sacred space, 35-51.
McCarthy, Mike & Curley, Daniel: Exploring the nature of the Fráoch Saga – An examination of associations with the legendary warrior on Mag nAí, 53-62.
Warner, R.B.: Ptolemy’s River Winderis: a corrected identification, a sea-monster and Roman material from the adjacent sandhills, 63-67
Ó Drisceoil, Cóilín & Walsh, Aidan: New radiocarbon dates for the Black Pig’s Dyke at Aghareagh West and Aghnaskew, County Monaghan, 69-79.
Brandherm, Dirk; McSparron, Cormac; Kahlert, Thorsten & Bonsall, James: Topographical and geophysical survey at Knocknashee, Co. Sligo – Results from the 2016 campaign, 81-96.
Wilkinson, Anthony: Knocknashee – Local perceptions, 97-98.
McCafferty, Patrick: The fear of fairy forts: archaeological preservation by plague and superstition, 99-106.
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Contents
McLaughlin, T. Rowan: An archaeology of Ireland for the Information Age, 7-29.
Baillie, Mike & Brown, David M.: Comments on the prehistoric section of McLaughlin’s human activity profiles as deduced from accumulated radiocarbon probabilities, 31-38.
Plunkett, Gill: A palynological perspective on “An archaeology of Ireland for the Information Age”, 39-43.
Cassidy, Lara M.: Sizing it up: a commentary on “An archaeology of Ireland for the Information Age”, 45-52.
Waddell, John: Early demographic ebb and flow in pre-census Ireland, 53-59.
McLaughlin, T. Rowan: A reply to Baillie, Cassidy, Plunkett and Waddell, 61-65.
Warner, Richard B.: Two bronze ‘pins’ from the Navan, Co. Armagh, ritual enclosure: reconciling a chronological enigma, 67-79.
Fenwick, Joe; Daly, Eve & Rooney, Shane: Rathcroghan revisited: a renewed archaeological and geophysical exploration of selected areas of the focal ritual complex, 81-98.
Johnston, Susan A.: New radiocarbon dates for Dún Ailinne, Co. Kildare, and their significance for understanding a ceremonial centre of the Irish Iron Age, 99-111.
Kelly, Eamonn P.: Knock Iveagh and Drumballyroney, Co. Down: investigation of a royal ritual landscape, 113-135.
Ruano, Lucía: Atlantic dwellings in the first millennium BC: a transnational approach to the social organization of space, 137-151.
Brandherm, Dirk; McSparron, Cormac & Boutoille, Linda: Excavations of Late Bronze Age roundhouses at Knocknashee, Co. Sligo: preliminary results from the 2017 campaign, 152-162.
Full Descriptions of Eighty Memorials from all over Co. Sligo with comparative entries for over 500 memorials which commemorate past loved ones, some, the short and only annals of many a departed soul, others monuments of national importance, together with notices, details and location of the graveyards.
The styles of artwork, the first written description of the Masons of Sligo, who so lovingly carved these monuments, notices of the families commemorated, their lives and properties illustrated by 230 photographs, selected from an archive of 7,000 photographs, rubbings, drawings and a map. Provided to assist the reader in appreciating those memorials and the many other memorials to the dead of Co. Sligo of the last 4 centuries.
For the nostalgic among you, this classic album by Horslips is a must for any music collection. Still great after all these years.
Track List – Setanta, Maeves Court, Charolais,The March, You Can’t Fool The Beast, Dearg Doom, Ferdia’s Song, Gae Bolga, Cu Chulainn’s Lament, Faster Than The Hound, The Silver Spear, More Than You Can Chew, The Morrigan’s Dream, Time To Kill.
Jim Lockhart keyboards, flute, whistles, uilleann pipes, vocals. Eamon Carr drums, bodhran, percussion. Barry Devlin bass, vocals. Charles O’Connor fiddle, mandolin, concertina, vocals. Johhny Fean guitar, banjo, vocals.
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Due to a Health & Safety review, we are not currently bringing visitors into the cave during our site tours until further notice. |